Shooting close-ups (also known as macrophotography) usually entails
taking photos of objects such that they appear larger on film than they
do in real life. This allows the photographer to bring the beauty of
small or otherwise inconspicuous subjects into focus. It is both a fun
and rewarding way to take pictures that can be enjoyed all year around.
Macro photograph of a Hibiscus petal taken with a Canon
PowerShot A95.
When taking close-ups with your digital SLR camera, you may find it helpful to consider the following tips:
- Look into purchasing a special macro lens for your camera, if you don't currently have one. Macro lenses (sometimes called micro lenses) have an especially long barrel that allows close focusing. Macro lenses are often optimized for particular magnification, such as 1:1 (the object is the same size in the photo as it is in real life), 2:1 or even 5:1. In some cases, however, standard lenses may be able to perform well enough for certain close-up shooting. It is recommended that you first become familiar with whatever lenses you may already have in your posession to determine whether they are capable of performing the kind of macrophotography you desire.
- Consider experimenting with various external light sources to alter the composition of your subject. Ringlights (basically round fluorescent tubes), reflectors, and umbrellas are always fun to experiment with. Even if you are on a restricted budget, incandescent lighting from a standard desk lamp can add a creative edge to your photography.
- Focus your subject with care. You should always take some time to determine how you want to set your focus. One major consideration is depth of field: the range of your subject that is kept in focus. You may decide you want to emphasize an object (perhaps an insect) in the mid-ground by keeping it in sharp focus while the background and foreground are kept out of focus. In addition, some cameras allow you to go beyond autofocus and determine which focus sensor you wish to use. This is especially important if your subject is in the middle of the photo or in close proximity to one of the sensors.
- Use a tripod if you need it. The benefits of using a tripod can be quite significant. If you are working under low light conditions (low f-stop) then your camera's shutter speed is probably going to be relatively slow. Even the slightest movement of your hand will cause your subject or entire photo to come out blurry. A tripod will balance and steady the camera so that camera shake is no longer a concern.
- Take photos straight on if possible. By keeping your camera parrallel to your subject, you are maximizing the depth of field and overall sharpness.